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This collection primarily documents the work and ministry of the Evangelical Church's annual conferences and local churches from the middle nineteenth century to the middle twentieth century. To a lesser degree there are records that reflect the ministry of the general church as well. There are other records that pertain to filial denominations such as the Evangelical Association, United Evangelical Church, Church of the United Brethren in Christ (United Brethren Church), and the Evangelical United Brethren Churches are also found in this collection. Leedy was an avid collector of church related information so that the topical landscape of this collection is broad enough to cover information ranging from local church ministries and histories to denominational theological beliefs and social concerns. Most of the paper records center on church work in the Ohio region though not to the exclusion of other geographic areas within the continental United States and Germany. All in all this collection provides a nice overview of the diversified life within the Evangelical tradition and is an excellent resource for those who wish to understand more fully the Evangelical Church's historical influence within the ongoing traditions of United Methodism.

This collection is made up of records from the various educational institutions that were run or supported by the Board and administrative material from the Board of Christian Education and its predecessor organizations.

The Matilda Saxton Winn Collection is comprised of informational files, a journal from her college days, awards, certificates, and family photographs, dating from the late 19th century to 1996. This collection reflects the personal life of Matilda Amelia Saxton Winn and her family.

The largest component of the collection consists of photographs. These photographs are of Matilda, her husband Harvey, and their families. There are photographs that date back to the late 19th and early 20th centuries. These photographs are of Matilda’s side of the family, and depict people like her parents, her maternal grandmother, and her siblings. Using both evidence from the collection, as well as photograph information found online from the Old State House Museum in Arkansas, the people in some of these photographs can be named. The photograph by Dawson in Little Rock, Arkansas of a man sitting in a plaid jacket is of Uncle Duke Freeman. The photograph by Dawson in Little Rock, Arkansas of a man standing with his arm leaning on a fence is of George T. Saxton Sr. The photograph by M. C. Davies and T. B. Rayburn in Little Rock, Arkansas is of Elizabeth Freeman. The photograph with a oval opening of a young man is of George T. Saxton Jr. In the photograph of three woman, the woman sitting is Mrs. Millie Freeman, Matilda’s maternal grandmother. The two photographs of women and children taken in 1897 and 1899 are from George T. Saxton Sr.’s time at Gammon Theological Seminary in Atlanta. In the two kinds of family portraits found in the collection, the children are positioned in the following order from left to right: Matilda, George Jr., and Mary Myrtle Lois.

The other photographs found in the collection range from the early 20th century to about 1985. These photographs are of various events in Matilda’s life, including her college graduation and her marriage to Harvey in 1950. In the file folder “Matilda and Harvey Winn and Friends” is a letter written to Matilda by her mother-in-law found in the folder with the photographs. In addition to the photographs found in the file folders, there are photographs held in a scrapbook put together by Matilda. While most photographs are still attached, and were reattached in areas, there were a few photographs that seem to have been shoved into random pages. These have been taken out of the pages in which they were found and places in an envelope in the back of the scrapbook. There is also a photograph of Miss Rosa Hale in the back of the scrapbook, as well as a few papers pertaining to Lois Saxton and a handwritten note.

Another item of note is her yearbook. There were two items shoved in the pages of the yearbook. On the page that holds Matilda’s Senior Portrait is the program from graduation. On the page that contains a blurb about the Bit and Bridle Club (2 pages prior to the Kansas State Sweetheart winners section) is a photograph in a sleeve that had been interleaved into the book. This photograph depicts three people, one woman and two men, standing outside of a building.