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This collection contains slides, audiotapes, films, a filmstrip, slide scripts and listings, conference reports and promotional materials, correspondence, and some photographs.

This collection contains slides, audiotapes, films, a filmstrip, slide scripts and listings, conference reports and promotional materials, correspondence, and some photographs. The slides contain images taken by Hannah Flammer of diverse subjects, most of which are related to the home and foreign missions of the Methodist Church during the 1940's to the 1960's. These include pictures of schools, hospitals and medical clinics, homes, settlement houses, missions to cities and rural areas, Native American missions, and a variety of scenes from both urban and rural areas that were foci for the church's mission and ministry during this period. There are also many slides of conferences of the Women's Society of Christian Service and other church agencies in which Flammer was active. Many scenes from foreign missions and pictures of foreign missionaries are also included. Most of the slides were used in presentations that Flammer gave to highlight and promote the mission work of the Methodist Church. The audiotapes include recordings of some of Flammer's slide presentations, of Bible studies and lectures given at various conferences that she attended, of radio interviews, and of church music. There are three reels of film, two of which are 16 mm and one is 8 mm. the filmstrip is titled "Swinging toward the Light." Also included in the collection are some printed slide scripts connected to Flammer's slide shows, several letters related to her mission promotion work, a container listing of the audiotapes, reports and promotional materials from some W.S.C.S. conferences that she attended, and some photographs.

This collection is made up of material from the Annual Conferences and local churches of the Church of the United Brethren in Christ. The material consists of minutes, histories, photographs, publications, and news clippings and does not contain church records such as baptismal, membership, marriage etc.

This collection primarily documents the work and ministry of the Evangelical Church's annual conferences and local churches from the middle nineteenth century to the middle twentieth century. To a lesser degree there are records that reflect the ministry of the general church as well. There are other records that pertain to filial denominations such as the Evangelical Association, United Evangelical Church, Church of the United Brethren in Christ (United Brethren Church), and the Evangelical United Brethren Churches are also found in this collection. Leedy was an avid collector of church related information so that the topical landscape of this collection is broad enough to cover information ranging from local church ministries and histories to denominational theological beliefs and social concerns. Most of the paper records center on church work in the Ohio region though not to the exclusion of other geographic areas within the continental United States and Germany. All in all this collection provides a nice overview of the diversified life within the Evangelical tradition and is an excellent resource for those who wish to understand more fully the Evangelical Church's historical influence within the ongoing traditions of United Methodism.

This collection is made up of records from the various educational institutions that were run or supported by the Board and administrative material from the Board of Christian Education and its predecessor organizations.

The Matilda Saxton Winn Collection is comprised of informational files, a journal from her college days, awards, certificates, and family photographs, dating from the late 19th century to 1996. This collection reflects the personal life of Matilda Amelia Saxton Winn and her family.

The largest component of the collection consists of photographs. These photographs are of Matilda, her husband Harvey, and their families. There are photographs that date back to the late 19th and early 20th centuries. These photographs are of Matilda’s side of the family, and depict people like her parents, her maternal grandmother, and her siblings. Using both evidence from the collection, as well as photograph information found online from the Old State House Museum in Arkansas, the people in some of these photographs can be named. The photograph by Dawson in Little Rock, Arkansas of a man sitting in a plaid jacket is of Uncle Duke Freeman. The photograph by Dawson in Little Rock, Arkansas of a man standing with his arm leaning on a fence is of George T. Saxton Sr. The photograph by M. C. Davies and T. B. Rayburn in Little Rock, Arkansas is of Elizabeth Freeman. The photograph with a oval opening of a young man is of George T. Saxton Jr. In the photograph of three woman, the woman sitting is Mrs. Millie Freeman, Matilda’s maternal grandmother. The two photographs of women and children taken in 1897 and 1899 are from George T. Saxton Sr.’s time at Gammon Theological Seminary in Atlanta. In the two kinds of family portraits found in the collection, the children are positioned in the following order from left to right: Matilda, George Jr., and Mary Myrtle Lois.

The other photographs found in the collection range from the early 20th century to about 1985. These photographs are of various events in Matilda’s life, including her college graduation and her marriage to Harvey in 1950. In the file folder “Matilda and Harvey Winn and Friends” is a letter written to Matilda by her mother-in-law found in the folder with the photographs. In addition to the photographs found in the file folders, there are photographs held in a scrapbook put together by Matilda. While most photographs are still attached, and were reattached in areas, there were a few photographs that seem to have been shoved into random pages. These have been taken out of the pages in which they were found and places in an envelope in the back of the scrapbook. There is also a photograph of Miss Rosa Hale in the back of the scrapbook, as well as a few papers pertaining to Lois Saxton and a handwritten note.

Another item of note is her yearbook. There were two items shoved in the pages of the yearbook. On the page that holds Matilda’s Senior Portrait is the program from graduation. On the page that contains a blurb about the Bit and Bridle Club (2 pages prior to the Kansas State Sweetheart winners section) is a photograph in a sleeve that had been interleaved into the book. This photograph depicts three people, one woman and two men, standing outside of a building.